In In the latest installment of the Review of Qur’anic Research (Vol. 6, no 9), Nora K. Schmid (University of Oxford) reviews Sean W. Anthony, Muhammad and the Empires of Faith: The Making of the Prophet of Islam (Oakland: University of California Press, 2020).
In her review, Schmid writes “What do we know about Muḥammad? How do we know what we know and how certain can we be of that knowledge? These are questions that have been asked by scholars many times and answered in many different ways. In Muhammad and the Empires of Faith: The Making of the Prophet of Islam, Sean W. Anthony presents a fresh attempt to provide answers to these questions. The book has two goals. It strives to “revitalize historical research into the life and times of Muḥammad” and it attempts to “shed new light on the historical circumstances and the intellectual currents that gave rise to the sīrah-maghāzī tradition as a discrete genre of Arabic letters from the last decade of the seventh century C.E. up until the end of the eighth.” The book is therefore truly a study of two topics, the historical Muḥammad and the sīrah-maghāzī genre, and an urgent plea to make sense of the former in light of the latter…”
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In his review, Rikab writes “Recent scholarship, especially following the contributions of Angelica Neuwirth and Nicolai Sinai, has increasingly stressed that the Qurʾān is better understood through an examination of the Late Antique period and the multiple religious traditions that were active in the Hijaz and the shām region, which included Christian, Jewish, and Manichean traditions. In ‘Evolution of the Early Qurʾān’, Daniel Beck offers a new contextualization of several early Meccan sūrahs in the Qurʾān against this Late Antique background, and situates his contribution in correcting tendencies among scholars to see these early sūrahs either as obscure, or as secondary to the later corpus, or as representing fossilized relics of earlier traditions….” 
In his review, Pregill writes “Stephen Shoemaker’s The Apocalypse of Empire builds upon the methodology, and some of the most provocative conclusions, of the author’s earlier monograph The Death of a Prophet.
In her review, Hammer writes “When I first saw the title of the book under review here, ‘Communities of the Qur’an,’ I was excited. In the field of qurʾānic studies, there has been a decades-long (if not longer) focus on the qurʾānic text itself, on its origins and history, its linguistic and literary qualities, but rather much silence about the people who engage with it. This volume, edited by Emran El-Badawi and Paula Sanders, aims to change that by bringing together scholars who, in complex ways, write about and often also represent communities of the Qurʾān that the editors selected based on a thoughtful process. The result is a collection of essays, ten plus the introduction by the editors, rounded out with a foreword by Reza Aslan, and an afterword by Reuven Firestone…”
In his review, Marshall writes “Mark Durie’s ‘The Qur’an and Its Biblical Reflexes’ is a highly original work and a substantial contribution to the field of Qurʾānic Studies. He engages with a great deal of secondary literature, but his study is also based on extensive direct reading of the text of the Qurʾān itself, so there is nothing second-hand about his approach. He presses everything he uses into the service of a very distinctive argument, so that what he says of the Qurʾān could also be said of his own work: it marches to the beat of its own drum. Durie writes clearly and engagingly, regularly re-stating his aims and recapitulating his developing argument…”
In the review, Stanton writes “Have you ever wondered why Ibn Kathīr’s tafsīr is so ubiquitous online, in multiple languages, and in translations of different lengths? Or, what percentage of Muslims read the Qurʾān in previous centuries, and what “reading” meant? About the proliferation of pious lectures or advice-giving programs on YouTube and the details of the people behind them? Have you wondered about the role of nation-states in the politics of Qurʾān interpretation?
In her review, Koltun-Fromm writes “In this rather hefty tome, Robert Gregg sets out to share with us the myriad ways the Bible and biblical lore has been read over the centuries across multiple cultural, linguistic, and religious contexts. This book’s comparative yet innovative nature opens up new avenues for looking at this vast interpretive corpus. In particular, Gregg engages equally, openly, and with the same level of academic curiosity with all the material he presents here, Muslim, Christian, and Jewish. Despite its heft, this is more a “popular” book than monograph, but that does not make it any less of a good read (it is very readable) or academically useful. While aimed at the educated generalist audience, this volume proves indispensable to anyone interested in comparative biblical exegesis and wants to familiarize oneself with trends in corpora outside of one’s normal fields. Even for those of us who were Gregg’s students, and familiar with this material, but especially for those of us who were inspired by Gregg and have made careers writing about this same material, this book still has much to teach us…”
In his review, Al-Mallah writes “As the title suggests, Richard Serrano’s Qurʾān and the Lyric Imperative examines the Qurʾān, but the intention is not to explain the holy book of Islam. The Qurʾān, as the author puts it, “continues to defy explanation, despite the legions engaged in the vast Islamic and Orientalist intellectual industry intent on doing just that” (1). Instead, the book examines the connections between the Qurʾān and poetry in the classical Arabic tradition and the ways in which those connections have served a central role in preserving people’s understanding of the text…”
In her review, Cellard writes “‘The Sanaa Palimpsest: The Transmission of the Qurʾan in the First Centuries AH’ by Asma Hilali aims to contribute to the ongoing discussion of the transmission of the Qurʾān in the early Islamic centuries, presenting a new interpretation of one of the most discussed documentary witnesses in recent years: the palimpsest of Ṣanʿāʾ. This monograph is the culmination of a long investigation, that started with the digitization project De l’Antiquité tardive à l’Islam (2005–2008) funded by the French ANR (Agence Nationale de la Recherche). One of the aims of this project, directed by Christian J. Robin, was the digitization of three Qurʾān manuscripts found in the Ṣanʿāʾ mosque in 1972 or 1973 and kept in one of the mosque’s libraries, Dār al-Makhṭūṭāt. Of the three digitized manuscripts, one—inventoried as DAM 01-27.1—is of particular interest because it is a palimpsest, parchment leaves from which a previous text has been erased in order to write a new text above. The most intriguing feature is that its lower and upper texts are both qurʾānic. Then, what are the motivations behind this recycling operation?…”
In his review, Helewa writes… “The biblical story of the Israelite king David son of Jesse contains multi-dimensional elements regarding his achievements as a leader, a military strategist, a conqueror, a pious man of considerable intensity, a lover, and a monarchist. Occurring at the apex of David’s religio-political leadership, the Bathsheba storyline is perhaps the most controversial narrative element in David’s story. It stands out as an oddity in the overall narrative of David’s excellence, of his otherwise outstanding achievements in securing his people among other, rather hostile, neighbouring tribes or nations. The Qurʾān (Ṣād 38:20–26) makes strong reference to the biblical account of the episode with Bathsheba in 2 Samuel 12. More so, the qurʾānic commentaries through the centuries that followed the advent of Islam enriched the Islamic tradition with a variety of interpretations of David’s story. The mention of David in the Qurʾān and in the Islamic tradition had the prophetic purpose of setting the Muslim prophet Muḥammad in the same line as the biblical prophets. It is within the genre of tafsīr (qurʾānic commentary) that Khaleel Mohammed’s David in the Muslim Tradition: The Bathsheba Affair makes its mark in the important study of the Bathsheba narrative detail of David’s story. With the introduction and the conclusion chapters, the monograph is segmented into a total of seven chapters…”